Though popular success has largely eluded the Roots, the Philadelphia group showed the way for live rap, building on Stetsasonic's "hip-hop band" philosophy of the mid-'80s by focusing on live instrumentation at their concerts and in the studio. Though their album works have been inconsistent affairs, more intent on building grooves than pushing songs, the Roots' live shows are among the best in the business.

The Roots' focus on live music began back in 1987 when rapper Black Thought (Tariq Trotter) and drummer ?uestlove (Ahmir Khalib Thompson) became friends at the Philadelphia High School for Creative Performing Arts. Since the duo had no money for the DJ essentials -- two turntables and a microphone, plus a mixer and plenty of vinyl -- they recreated classic hip-hop tracks with ?uestlove's drum kit backing Black Thought's rhymes. Playing around school, on the sidewalk and later at talent shows, the pair began to earn money and hooked up with bassist Hub (Leon Hubbard) and rapper Malik B. Moving from the street to local clubs, the Roots became a highly tipped underground act around Philadelphia and New York. When the group was invited to represent stateside hip-hop at a concert in Germany, they recorded an album to sell at shows; the result,href="http://www.broadcastamerica.com/index2.shtml">Organix, was released in 1993 on Remedy Records. With a music-industry buzz surrounding their activities, the Roots entertained offers from several labels before signing with DGC that same year.

The Roots' first major-label album,href="http://www.broadcastamerica.com/index2.shtml">Do You Want More?!!!??!, was released in January 1995; forsaking usual hip-hop protocol, the album was produced without any samples or previously recorded material. It peaked just outside the Top 100, but was mostly ignored by fans of hip-hop. Instead,href="http://www.broadcastamerica.com/index2.shtml">Do You Want More?!!!??! made more tracks in alternative circles, partly due to the Roots playing the second stage at Lollapalooza that summer. The band also journeyed to the Montreux Jazz Festival in Switzerland. Two of the guests on the album who had toured around with the band, human beatbox Rahzel the Godfather of Noyze -- previously a performer with Grandmaster Flash andhref="l_l_cool_j.htm">LL Cool J -- and Scott Storch (later Kamal) became permanent members of the group.